Sturla Atlas was one of five bands to threaten to quit this year's edition over these silencing tactics. For what it's worth, festival ended up issuing a statement, but this isn't the only time the guys have used their platform to make a statement. Opening for Bieber was quite the achievement for Sturla Atlas, and after hanging around the guys for a day, one gets the sense that it gave them some sort of vindication. We're in a tattoo studio in suburban Reykjavik and 21 Savage is playing as an artist sketches the masks on a sheet of paper. The theatre masks are just about done, and the artist is moving on to Joey, who has decided that he wants to get Jesus on his arm. The benefits are twofold—they become unique within the Icelandic music scene while simultaneously ensuring their ability to eventually take their project outside of the country.
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